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Homegrown Black Metal Smashes Stereotypical Appalachian Narratives

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In recent months, the media spotlight on Appalachia has resulted in complicated conversations about whose mountains we inhabit and who’s telling our stories and how. This conversation rapidly escalated from a slow boil to a forest fire. I met with Aaron Carey of the Apalači folk metal band Nechochwen — in the forests — to talk about his work as a musician and his life as a resident of West Virginia and the greater Ohio Valley.

Nechochwen joins the ranks of several metal-hybrid bands to make a project of telling the stories of Appalachian history and heritage with an unlikely assemblage of elements of traditional Appalachian music and ice cold black metal. You won’t see our mountain-metal darlings adorned in corpse paint, like their Norwegian predecessors, but you will catch them growing and canning their own food, just like their grandmothers taught them.

My best friend Will’s grandparents, lovingly dubbed Ma and Pap, lived in a small region in the northern part of the Ohio Valley, called Yellow Creek. They lived in a cabin in a holler next to the creek, with Will’s family’s cabin not far off, which was next to an old-fashioned treehouse that Will’s father and Pap built by hand. We’ve always joked that they were Appalachian legends, with the Foxfire series in their bookcase, waders hanging to dry on the porch and a log on the woodstove. Pap taught us how to roast weenies just right, tie a lure and catch quick minnows with our small hands in the shallow edges of the creek. He kept bees, maintained trails and raised ducks.

Nestled somewhere next to those Foxfire volumes on plain living was an out-of-print copy of a collection of regional histories called Tales and Stories of Yellow Creek. A few years have passed since Will’s grandparents passed away, with exactly a year between their deaths. Pap died on March 12, 2015, preceded by Ma who passed away on March 12, 2014.

We returned to the cabin this past holiday season to have a Christmas dinner party just for ourselves, where nothing had changed. Will had been living in New York City, working on finishing his master’s degree, and I had been away at college, with almost a year since my last visit home. I sat down with Ma’s quilt next to a kitschy statuette of a woodsman santa claus with a glass of Pap’s old Tennessee whiskey and read Schillings’ tales of Yellow Creek.

Almost six months later, I met Aaron, a music lecturer at Bethany College, who had also grown up in the Ohio Valley. We found it to be amusing that he lives in Wellsburg and I live in Wellsville, two small towns only twenty-some miles apart on different sides of the valley. Aaron has been writing music since he was in high school and founded the West Virginia Apalači folk metal band Nechochwen in 2005. Coincidentally, he had also been given a copy of Robert Schilling’s Tales and Stories of Yellow Creek by an older relative, leaving both of us stunned to learn that that we were two out of probably a handful of folks who were still living that had read its stories.

Following their 2015 release, “The Heart of Akamon,” Nechochwen plans to release a split with the Minnesota-based atmospheric black metal bluegrass hybrid band Panopticon featuring tracks that draw inspiration from a story of a granite boulder referred to as “Standing Rock” that Aaron originally learned of from a chapter in the book. The Standing Rock is sacred, once the site of meeting place for indigenous people, and was recently designated the site of a conservation project in Jefferson County, Ohio. The surrounding area is now protected, although it was likely to be sited for development by local industry, as it is one of the few remaining habitats of the American hellbender salamander. Aaron told me that he sees this as divine intervention.

I asked Aaron if we could meet up and talk about Nechochwen’s upcoming split. We decided on a hike. He drove us to a trail not far from his house and a stone’s throw from his office at Bethany, one he refers to as an “ancient forest,” never before deforested or modified. As we meandered the trail, we kept an eye out for wild ramps and morel mushrooms. I was taught as a child to choose only the largest ramps of the patch and to leave behind more than you take as to “save some for next summer,” by relatives who referred to them as “spring onions.” I didn’t know, at five or six, that my uncle was passing down good habits for sustainable harvesting, but I was thrilled to wiggle my fingers to the ramps’ roots to pluck them from the dirt. Careful and deliberate, Aaron plucked ramps for the both of us, and told me that he’s delighted for the forest patch to mature over the next few weeks of spring.

We settled on a place to pitch two hammocks and talk, and almost immediately after nestling in, Aaron drew my attention to the massive hydraulic fracturing drilling rig nearby that towered over the treeline of the forest. The low frequency hum of the machinery made it difficult to hear the sounds of spring. We struggled to speak over what may have been drilling or workers operating equipment. It was the several-hundred-foot elephant in the room: Aaron expertly chose these woods for our interview as they had been untouched and uncut for thousands of years, but we had to share a conversation about what it meant for him to be close to nature over the constant drone of manmade structures.

I asked Aaron if the natural gas industry encroaching on the untouched landscape of his home made him feel heightened anxiety to hurry to preserve the stories of his home and his indigenous lineage. Almost before I could finish my sentence, he answered, “Yes.” He told me that he first started to notice the larger trend of local industry “tainting wildlife,” as he describes it, when he was learning to become closer to nature to pray and connect with “the beyond.” This sent him on a personal journey to devise strategies to cope with the destruction of the spaces in nature he cherished so much.

Paul Ravenwood, of the Appalachian atmospheric black metal band Twilight Fauna, told me on another occasion that “black metal has a weird ability to represent a landscape, as well as pain and frustration. People here experience both of those.” As Paul has paid close attention to the ways that energy industries have changed our region, it has inevitably influenced his writing process. “We have to be political. It’s hard to drive past a place that used to be a mountain that is now a mudhole, or watch as people sit in trees to stop pipelines, and not be. It’s a part of me,” he said.

As Aaron and I drove into the hills of Bethany’s secluded campus, he pointed out, without relent, historic sites of where settlements used be nestled along the creekbends thousands of years ago, some protected and some altered. He showed me creekbeds he knows are rich with artifacts and fragments from the past, where he often wades to dig for flint and arrowheads.

Aaron seemed to know everything about the region, from its history to the varieties of plants underfoot. He is fiercely devoted to preserving the history of the region, using Nechochwen as a medium, and he sees this as a community project; he wants his music to help others envision what the regions he writes about may have looked like thousands of years ago.

He sees this project as reciprocal. Aaron cherishes the moments that unfold when others come to him to share stories of their own indigenous histories after hearing his music and reading his lyrics. Some read Nechochwen’s lyrics, learn where the stories fit in a broader history of the Appalachian region, and contact Aaron with their own local lore. He told me that he values their exchanges just as much as he does his own research process.

Nechochwen chooses metal as a home for this storytelling because they feel it’s one of the few avenues capable of telling the horrors of the forced removal of Native American people caused by westward expansion. Aaron feels that some of the stories he wants to tell might be “too grim” for some of the styles of acoustic music that he writes on his own. Paul sees a lot of the same elements in traditional folk music and black metal, although those parallels aren’t immediately obvious to others. He says that he’d rather be remembered for telling stories, rather than for writing black metal, as traditional folk and bluegrass musicians are widely recognized for their long-held storytelling tradition. Paul covets Montcalm, West Virginia’s Hazel Dickens as much as he values Kolbotn, Norway’s Darkthrone.

He and Paul see themselves as a part of a community, often driving more than five hours to spend time with one another. Paul shared that Aaron had taught him a lot about indigenous culture and history during his first visit to West Virginia, where they trekked the same trail where Aaron and I met. Many of the bands met for the first time at Shadow Woods Metal Fest, where several Appalachian folk metal artists performed. Paul shared with me that Austin Lunn of Panopticon performed a cover of Jean Ritchie’s song Black Waters at the fest that moved him to tears. Jean Ritchie’s harrowing ballad tells the story of witnessing the destruction of mountaintop removal mining in Kentucky. Aaron told me he feels “at home” with his recording label, Bindrune Recordings, as the outfits he shares the roster with have in common their intimate relationship with nature that is weaved through the lyrics and sound elements of each of their releases. Fittingly, the record label’s byword reads “Woodland Denizens… Unite!”

My conversation with Aaron was haunted by the reality that artists like Nechochwen have to struggle to “hold onto the thread” of what remains of their histories, as Aaron describes it. These stories and traditions have been persistently erased for centuries. Just like the destruction of the natural landscape, and subsequently, the life that inhabits it, the ongoing and systemic historical erasure of indigenous histories is violence.

Holler-casting blackened bluegrass to you from the Ohio Valley, Liz Price studies Appalachian regional policy by day and spins mountain-metal by night.

Appalachia

‘If We Can’t Mine Coal, What Are We Going To Do?’

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In this excerpt from the book After Coal, documentary filmmaker Tom Hansell describes how his media work in the coalfields of Central Appalachia led to a different understanding about what might come next for coal communities.

“EPA = Expanding Poverty in America.”  

See also: BEYOND COAL: Appalachia and Wales. Jim Branscome reviews Tom Hansell’s book “After Coal”

This statement is written in three-foot-high letters on a banner stretched over a bandstand in a public park in Pikeville, Kentucky. It is June 2012 and I am just starting production of the After Coal documentary. The crowd around me is dressed in the reflective stripes of mining uniforms or in T-shirts reading Friends of Coal and Walker Heavy Machinery. I am documenting a coal industry-sponsored pep rally before a public hearing on new water-quality regulations proposed for mountaintop-removal coal mines.  

The speaker onstage is speaking proudly of his family’s heritage in the coal industry. He concludes his passionate statement with a question: “If we can’t mine coal, what are we going to do in eastern Kentucky?” 

Good question. As a filmmaker who has spent my career living and working in the coalfields of eastern Kentucky and documenting coal-mining issues, this is an important and difficult question to answer. My earlier documentaries Coal Bucket Outlaw (2002) and The Electricity Fairy (2010) were intended to start a civil conversation between workers in the coal industry and other community members about a shared vision for good jobs, clean air, clean water, and a safe working environment. However, the conversations almost always broke down as soon as someone pointed out the obvious: the coal industry had long been the only model of economic development in the central Appalachian region. More examples of what life after coal might look like were desperately needed to move the conversation forward.  

As I struggled with the haunting question “If we can’t mine coal, what are we going to do?” the image of Welsh mining villages rising from the ashes left by the coal industry captured my imagination. I thought that if I could just learn a few details about how Welsh communities made the transition, then I could identify specific solutions to help coal communities in Appalachia. However, I quickly learned that the secret to life after coal was not that simple. …  

The author (holding the boom mic). (Photo provided.)

On my own quest for solutions, in 1990, I began my career at Appalshop, a rural, multidisciplinary arts center located in Whitesburg, Kentucky—the heart of the central Appalachian coalfields. From my young and naively privileged perspective, moving to eastern Kentucky was an act of opposition to the materialistic consumer-driven world. I had a goal of living self-sufficiently, fulfilling my needs with what I could make or grow, and buying as little as possible. And, as an aspiring environmental activist, the clear moral lines around the issues in the Kentucky coalfields, especially strip mining, were appealing. The battle call of union songs such as “Which Side Are You On” charged up my little post-punk heart.  

However, my experience at Appalshop quickly taught me that the struggles of coal communities were not as simple or straightforward as I had imagined. Working as part of this artistic collective, I produced radio and video documentaries and taught community media workshops. As a young artist and activist, I quickly absorbed Appalshop’s mantra of providing a platform for mountain people to speak in their own words about issues that affect their lives. I attended hundreds of community meetings: school board, the fiscal court, mine permit hearings, and union meetings. I also documented dozens of direct actions where citizens blocked roads to stop mining, took over government offices to protest the lack of enforcement, and set up picket lines to enforce union contracts.  

Retired Welsh miner and labor leader Terry Thomas (left) meets retired Kentucky miner Carl Shoupe (right). (Screenshot from the documentary, After Coal)

My experiences working on the front lines of the environmental justice movement in Appalachia gradually developed my understanding of the complexities of how culture, place, and politics had shaped the situations I was documenting. I witnessed firsthand the incredible power of community to support people as they faced threats against their homes and families. As a result, I expanded my ideas about self-sufficiency from an individualistic vision of each person taking care of their own needs to a larger vision of individuals living in symbiosis with their neighbors and the natural environment—community self-sufficiency. 

Participating in cultural exchanges at Appalshop also provided me with valuable lessons. Meeting artists from the mountains of western China and rural Indonesia opened my eyes to some of the universal challenges faced by regional cultures in an increasingly globalized economy. I hoped that an international exchange with another coal-mining region such as south Wales could identify resources and strategies that would help Appalachian coalfield communities create a future beyond coal.  

The process of creating the After Coal documentary took more than five years. During that time, I learned to stop looking for concrete solutions and start supporting an ongoing conversation about how to create healthy communities in former coal-mining regions. International efforts to address climate change make this challenge especially intense for coal-producing regions. As our economy shifts from fossil fuels, how can we ensure that places where fossil fuels were extracted do not continue to bear an unfair share of the costs of extraction?  

I believe there are as many solutions for life after coal as there are residents of mining communities. I hope these stories from south Wales and central Appalachia will inspire people to discover solutions that work in their home communities. 

This article was originally published by Daily Yonder.

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International Firm Hired to Help Off-Ballot GOP Senators with Messaging on WV Teacher Strike

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West Virginia Senate President Mitch Carmichael and other Senate GOP leaders hold a press conference on March 6, 2018, on the signing of a bill calling for pay raises for all state employees, including teachers. Photo: Will Price, WV Legislative Photography

As the 2018 midterm election approaches, some West Virginia Senate Republican leaders are making use of a large and influential worldwide public relations firm to aid in messaging about this year’s teacher strike and the economy. The politicians making use of the public relations services, which an independent expenditure political action committee is paying for, are not on this year’s ballot.

Campaign finance experts say promoting off-ballot politicians is very unusual for independent expenditure political action committees, or PACs, such as the one paying for these services. The public relations firm that’s been hired has made national headlines for its possible connection to the FBI special counsel’s probe of Russian interference in the 2016 presidential election.

Emails from employees of public relations firm Mercury, LLC, sent to West Virginia Public Broadcasting reporters — and others in news media who cover state government — have recently solicited interviews with Senate President Mitch Carmichael.

Those emails — which were sent by Mercury employees Katya Myagkova and Brent Petrone throughout the month of August — sought to have reporters speak with Carmichael regarding the federal Tax Cuts and Jobs Act and federal legislation attempting to curb the country’s opioid crisis. The emails included a banner image with “West Virginia’s Future PAC” and signatures identifying Petrone and Myagkova as Mercury employees.

Emails between Carmichael, Sen. Craig Blair and Mercury employees — obtained by West Virginia Public Broadcasting through a public records request under the state’s Freedom of Information Act — also indicate the firm was helping GOP Senate leadership tailor messaging around a number of issues and craft a “proper narrative” regarding this year’s teacher strike and West Virginia’s economy leading up to the 2018 midterm elections, despite neither Carmichael nor Blair being up for re-election this year.

Emails Show Mercury Helped Carmichael, Blair Craft Messaging on Teachers, Economy

While records show that West Virginia’s Future PAC spent a total of $21,731 in August on digital advertising services from Pittsburgh-based company Fifth Influence in support of Republican Senate incumbents Ryan Ferns, Ed Gaunch and Tom Takubo in the general election cycle, $37,500 the committee spent this reporting period was paid to Fulcrum Campaign Strategies, for consulting and PR services mostly used by Carmichael.

In a July 19 email sent at 8:24 a.m. with the subject “Thank you,” Carmichael contacted Mercury employees Nicole Flotteron, Chapin Fay and Dan Bank — all of whom hold the title of senior vice president.

“Thank you for conducting the on-site meeting/training yesterday. Our team was very impressed with all aspects of Mercury. The outside entities that we invited and that gained further exposure to your team were equally impressed,” Carmichael wrote in the first of two emails sent to Mercury employees July 19. “We look forward to working with you to craft the proper narrative as to the West Virginia comeback story and Republican commitment to education.”

Parry Casto, from Huntington W.Va., leads a rally outside the Senate Chambers in the West Virginia Capitol in Charleston, W.Va., Monday, March 5, 2018. Hundreds of teachers from 55 counties are on strike for pay raises and better health benefits. Photo: AP

Another email sent July 19, this one with the subject line “Response to local AFT leaders agreeing with our statement” and sent at 8:37 a.m., Carmichael seeks advice from Flotteron, Fay and Bank in messaging related to teacher unions.

“What do you think of crafting a message in which we commend Christine Campbell, WV-AFT, and Dale Lee, WVEA, for agreeing with us and rejecting the socialist agenda of the national AFT?” Carmichael wrote. “The message could give credit to the WV Teachers for recognizing that the socialist policies of the left wing union bosses is not good for our state and would damage the economic recovery that is occurring under Republican leadership. Your thoughts……”

Days earlier, on July 17, Carmichael drew attention for a thread of eight tweets in which he criticized the American Federation of Teachers’ adoption of a platform at the union’s national conference in Pittsburgh.

Teachers in West Virginia — backed by the West Virginia Education Association and the American Federation of Teachers-West Virginia — went on strike for nine days during the 2018 legislative session demanding better wages and a permanent fix to the health care program for state employees, the Public Employees Insurance Agency.

With the Republican Senate majority once rejecting a 5 percent pay increase for teachers, the strike ended with the passage of a bill doing just that — but adding raises for all state employees — and the creation of a task force on the health care issue. The bill was passed only after being sent to a conference committee between the House and Senate, where members finally agreed to the 5 percent raises.

In the interest of full disclosure, the Educational Broadcasting Authority, which does business as West Virginia Public Broadcasting, is an independent state agency. As such, its employees also received the pay hike.

During and since the strike, leaders of teacher unions and their members have taken aim at GOP Senate leaders — particularly Carmichael — promising an education-focused takeover of the Legislature in the 2018 midterms. Through their political action committees, the unions have supported candidates they see as promoting a pro-public education agenda. The unions have largely supported Democratic candidates.

Carmichael and other top Republicans in the Senate have taken credit in recent months for the pay raise for teachers and all other public employees, despite the caucus’ holdouts that drew out the strike. Some of the messaging around teacher issues has taken place under the consultation of Mercury.

“I’m not up for re-election,” Carmichael said when asked about his use of Mercury for help with messaging on the aftermath of the teacher strike and its potential impact on the upcoming election. “I just want to make sure that the proper narrative is spoken as it relates to the teacher issue, because I think I’ve not — in my years of public service — seen anything have so much misinformation about a particular issue.”

Despite not being on the ballot for the 2018 midterms, Carmichael has been a target — with his name and face being placed on billboards and other campaign materials reading “Ditch Mitch!” and “Ditch the Mitches And Their Candidates,” referring to Carmichael and U.S. Senate Majority Leader Mitch McConnell. The latter of those two advertisements also states that Carmichael was “attacking teachers and public schools.”

Carmichael argues that those efforts, funded by the West Virginia Democratic Party, have mischaracterized him in terms of what unfolded during the teacher strike.

“The press, in large measure, does a good job, but some of those opposing — the people that want to just create havoc — are distorting that message and, so, I think it’s important for the people to know the truth and to hear it as it really occurred,” Carmichael said about the narrative surrounding the strike.

CREDIT WEST VIRGINIA DEMOCRATIC PARTY

“The West Virginia’s Future PAC – which is an entity outside the legislative purview — contracted with Mercury to develop that messaging and make sure the story is told in a way that, you know, is sort of what we believe is the truth about the story and cut through all the different aspects of distortions and so forth. So, they’re working with West Virginia’s Future PAC to develop that message and make sure it gets out,” he added.

Other emails show Carmichael forwarded a June 8 email newsletter from the West Virginia Chamber of Commerce to Flotteron. A June 14 email from Carmichael to Flotteron detailed state employment numbers from May sent to members of the West Virginia Legislature from West Virginia Chamber president Steve Roberts. “I’m compiling more data and will forward in a string of emails,” Carmichael wrote to Flotteron.

An Aug. 8 email from Carmichael with the subject line “Fwd: Strikes Again?” included a newsletter forwarded to Mercury employees from The Center for Education Reform sent to Carmichael the day before. The newsletter detailed the possibility of teacher strikes by union members in Puerto Rico and Los Angeles.

More recently, Carmichael sought advice in responding to an email newsletter from the West Virginia Center on Budget & Policy. That Sept. 17 email newsletter from the West Virginia Center on Budget & Policy included the headline “New Census Data Shows Lack of Progress in West Virginia.”

“Help me craft response…..” Carmichael wrote in regard to the newsletter from the West Virginia Center on Budget & Policy.

As for Blair, who serves as chairman of the Senate Finance Committee, emails from Aug. 7 between he and Mercury staff show he asked for help when he forwarded a solicitation from D.C.-based website The Washington D.C. 100 — asking him to author a piece of writing on West Virginia’s economy for the website. According to the email forwarded by Blair to Mercury employee Nicole Flotteron, The Washington D.C. 100 is “a bi-weekly publication consisting of 100-word long stories covering key policy issues and current events.”

“Is this useful?” Blair wrote to Flotteron.

“We will write it for you. Standby,” Flotteron replied.

On Aug. 16, The Washington D.C. 100 published a short piece with Blair’s bylinetitled “Economic Growth in West VA.”

About West Virginia’s Future PAC & Mercury, LLC

A campaign finance report filed recently with the West Virginia Secretary of State’s office shows the independent expenditure political action committee West Virginia’s Future raised $320,250 from May 21, 2018 through Sept. 23, 2018. Contributors to that committee during that time period include a $15,000 donation from DuPont spin-off company Chemours as well as a list of more than 200 names of people who donated funds following a Wheeling dinner event on June 28, where the group raised $284,655.

The first general report from West Virginia’s Future PAC was due Friday, Sept. 29, but wasn’t received by the Secretary of State’s office until Oct. 1. According to the state’s campaign finance reporting system, the organization has been late in filing two of its three other reports that have been due. There is no penalty for a filing campaign finance reports after a deadline.

This image was at the top of news releases and interview solicitations Mercury employees sent to West Virginia reporters.

Among the $149,685.19 in expenses the committee paid during the first general election period from May 21 to Sept. 23, two payments totaling $37,500 were paid to Fulcrum Campaign Strategies for “strategic / communications consulting.” According to the District of Columbia’s Department of Consumer and Regulatory Affairs, Fulcrum Campaign Strategies has been used as a trade name for Mercury, LLC. Company officials also confirmed Mercury does business under that name.

According to Mercury’s website, the company is a “global public strategy firm” that handles public relations, public opinion research, crisis management and mergers and acquisitions. The company’s clients include AT&T, Airbnb, eBay, The Ford Foundation, Hyundai, Pfizer, Tesla and Uber. Mercury also lobbies on behalf of foreign governments.

Mercury has come under scrutiny during the past year for possible connections to President Donald Trump’s former campaign manager Paul Manafort. In September, Manafort agreed to plead guilty to charges in the indictment and cooperate with FBI special counsel Robert Mueller’s investigation into Russian interference in the 2016 election.

In Manafort’s indictment, two companies identified as “Company A and Company B,” were named as having done work under the direction of Russian-friendly former Ukrainian President Viktor Yanukovych. Manafort spent nearly a decade as a consultant to Yanukovych and his country’s Party of Regions. A report from NBC News identified “Company A” as Mercury and “Company B” as the Podesta Group.

According to reports from various news outlets citing court filings from Mueller, Mercury could face legal trouble for their connections to Yanukovych.

“We worked for an [non-government organization] based in Brussels that supported Ukraine’s entry into the European Union, which would have driven Ukraine closer to the west and further from Russia’s influence. The project started more than six years ago and ended more than four years ago,” Mercury partner Michael McKeon wrote in an email when asked about the company’s connections to Yanukovych and the the FBI special counsel’s probe of Russian interference.

“We hired lawyers to advise us on proper disclosure, reported our work to Congress in 9 different public lobbying reports and later voluntarily filed a FARA. Any questions you may have about the work is all in the public filings,” McKeon added.

FARA is the acronym for Foreign Agents Registration Act, federal legislation requiring “persons acting as agents of foreign principals in a political or quasi-political capacity to make periodic public disclosure of their relationship with the foreign principal, as well as activities, receipts and disbursements in support of those activities,” according to the U.S. Department of Justice.

McKeon also said none of the Mercury employees on the project in West Virginia worked for the non-government organization and most current employees were not with Mercury at that time of the company’s work linked to Yanukovych.

Carmichael said he was unaware of Mercury’s connections to Manafort’s indictment in the Russian probe when he began working with the firm. He said he later became aware of those ties, but has no concerns about the company.

“I’ve just heard, anecdotally, somebody say, ‘You know, hey, this or that’ about Mercury. I don’t have anything other than just a cursory [understanding of those allegations],” Carmichael said.

Asked about Mercury’s work with Carmichael or anyone else in the West Virginia Senate, McKeon deferred to West Virginia’s Future PAC.

Chris Asbuy, an attorney for West Virginia’s Future PAC, provided a statement to West Virginia Public Broadcasting noting pay raises for state employees, reported economic growth, implemented regulatory reforms and other efforts by the Republican majority in recent years. He attributed those accomplishments to the GOP takeover of the Legislature in 2014.

“West Virginia’s Future PAC hired Mercury to cut through the election year political chatter and help tell this remarkable comeback story directly to West Virginians,” Asbuy wrote.

Independent Expenditure PACs

Independent expenditure political action committees, like West Virginia’s Future, are created to expressly advocate for the election or defeat of a particular candidate — but not in cooperation with or at the request of that candidate. Typically, independent expenditure political action committees would not raise money for services such as polling or public relations services, according to campaign finance experts.

Dan Weiner of New York University School of Law’s Brennan Center for Justice said promoting non-candidates and paying for services like public relations is atypical of independent expenditure political action committees.

“I would say that is quite unusual,” Weiner said. “Bottom line, it is deeply troubling that a PAC would be funneling unlimited money for sitting office-holders, regardless of whether or not they are on the ballot. That raises quite obvious concerns.”

Weiner said political action committees funding politicians not on the ballot -—or services for them — should raise questions about the possibility of political favors being returned in exchange for that help.

Why Mercury, When the Senate Has Its Own Communications Director?

While Mercury’s services have provided public relations support for Carmichael and Blair, the Senate employs its own communications director who works with news media. Jacque Bland currently holds the title of communications director of the Senate, under the supervision of Carmichael in his role as Senate president.

In the position of communications director, Bland works as a liaison between all members of the Senate — regardless of party — and the news media. According to the state auditor’s office, Bland was paid $73,640.01 for her work in 2017.

Asked whether Mercury’s work has affected her job as communications director of the Senate, Bland declined to comment for this story.

Carmichael said the work performed by Mercury — particularly that which is focused on issues related to the teacher strike — is politically motivated and is inherently different than the work Bland does. He said the political messaging should be outsourced to an entity outside the Legislature.

“West Virginia legislative announcements and so forth get published on the Legislature’s website. These recently, on both sides of the aisle, have become very political — they have become too political,” he said.

Carmichael said he has had conversations with Democratic minority leaders Sen. Roman Prezioso and Del. Tim Miley about trying to limit the scope and use of the Legislature’s public information office and get politics out of the equation. Prezioso and Miley confirmed those conversations.

“If it becomes political, you need to use an outside entity to craft that. That message needs to get [put together] outside of here. Jacque does a phenomenal job of getting this messaging — the informational pieces — out to the public. But in terms of it, if it’s going to turn political at all, it needs to be done by a separate political arm outside of this Legislature. And, so, that’s what Mercury’s purpose is,” Carmichael said.

Teacher Strike Still in Focus Ahead of Election with Plans for Additional Raises Announced by Gov. Justice

As the November midterms get closer — and with teachers issues remaining on the minds of voters — Gov. Jim Justice announced this week plans for another 5 percent pay raise for teachers and all other public employees and a promised dedication of $100 million to funding PEIA.

During a news conference Tuesday announcing those plans, Justice touted Republican accomplishments in terms of this past year’s teacher raises and economic growth in general, citing a nearly $120 million budget surplus three months into fiscal year 2019. He also downplayed the role of the unions and the strike.

“Over and over and over, you can say what you want. But, at the end of the day, the teachers’ pay raise last year — the teachers’ pay raise — that all happened not because of people that were ‘rah-rah-ing’ and everything upstairs,” Justice said. “It happened because the good work of the Republicans, the Republicans are the ones that passed it. Your Republican governor is the one came up with the idea of the five percent. Nobody but your Republican governor. The Republican House followed suit.”

Gov. Jim Justice is joined by Republican legislators to announce plans for additional pay raises for public employees in the 2019 legislative session.
Photo: credit office of Gov. Jim Justice.

Justice acknowledged holdouts by Senate Republicans, but also gave credit to the majority caucus in the upper chamber.

“It took a little while to get the Senate on board. But when they came on board, what did they do? They came on board for not only the teachers — they came on board for everybody. Everybody got the five percent,” he said.

In a news release dated Oct. 2 — the same day as Justice’s announcement of plans for another round of raises for state employees — Carmichael released a statement through the Legislature’s public information office. Bland is listed as the contact on the release.

“Thanks to pro-growth policies that have been implemented by the Legislature in recent years, our economy continues to expand, while tax revenue continues to increase, leading to historic budget surpluses,” Carmichael said in the release. “In turn, we are able to use that growth to deliver our teachers the pay increases they need and deserve.”

How much the teacher strike and issues related to public education will impact the 2018 general election remains to be seen.

This article was originally published by West Virginia Public Broadcasting

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West Virginia And Kentucky College Students Still Struggle to Pay Back Loans

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Photo: U.S. Air Force photo illustration/Airman 1st Class Trevor Rhynes Student loan default rates are falling nationally but remain high in KY and WV.

New research this month shows that West Virginia and Kentucky have some of the nation’s worst rates of student loan defaults.

West Virginia had the highest and Kentucky the fourth-highest rate of student loan defaults, according to data released by the U.S. Department of Education.

Graphic: Alexandra Kanik

In West Virginia, 17.7 percent of students who entered loan repayment in 2015 had defaulted three years later. New Mexico and Nevada were second and third, and Kentucky came in fourth, with 14.3 percent of students unable to pay back their loans. At 12.2 percent, Ohio ranked near the middle, tying Michigan for 14th place.

The rates refer to the total number of people who took out loans and the percentage of that number who missed nine consecutive student loan payments.

Economists in West Virginia and Kentucky say the high default rates reflect the rising costs for college, stagnant wages for many entering the workforce, and budget cuts that target higher education.

Costs Up, Wages Flat

Ashley Spalding, a senior policy analyst at the left-leaning Kentucky Center for Economic Policy, said the cost of college is rising but wages are not keeping pace.

Student loan default rates are falling nationally but remain high in KY and WV. Photo: U.S. Air Force photo illustration/Airman 1st Class Trevor Rhynes

“When you really look at what’s happening with Kentucky, we have a lot of people living in poverty, having trouble making ends meet,” Spalding said. “We’ve seen tuition just skyrocket in recent years, but wages aren’t really going up for most people.”

Sean O’Leary, a senior policy analyst at the West Virginia Center on Budget and Policy, said a decade of tax and budget cuts had resulted in less funding for higher education.

“We’ve seen that the biggest part of our discretionary budget is higher education,” O’Leary said. “So when we have budget shortfalls and we need to cut the budget, higher education is the first part of the budget that goes under the budget knife.”

Rural Challenge

Schools with the highest default rates tended to be for-profit schools and community colleges; at Kentucky’s worst-performing school, Southeast Kentucky Community and Technical College, nearly a third of borrowers couldn’t pay back their loans.

Spalding said it wasn’t surprising that the state’s worst-performing school was in rural eastern Kentucky. “Where people live in Kentucky affects their access to jobs,” she said. “Our rural areas are more economically challenged right now.”

Graphic: Alexandra Kanik

Separate research from the Federal Reserve Board has shown that student loan debt makes it less likely for borrowers to become homeowners, an important way that Americans build wealth.

According to the Department of Education, the national average for student loan default stood at 10.8 percent, down from 11.5 percent last year. The national default rate has been trending down since 2010, when it peaked at 14.7 percent.

This article was originally published by Ohio Valley Resource

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