Connect with us

Appalachia

A Regional Focus on Health Care, Community by Community

Published

on

Understanding Appalachia requires coming to grips with the complexities and challenges of rural healthcare.

It means understanding that addiction isn’t just an opioid issue, as methamphetamines make a comeback in our communities. It means understanding that health goals reflect a Maslow’s Hierarchy of Needs chart from one community to the next, and that how we define wellness is as diverse and place-based as other forms of Appalachian culture. It means understanding that there are no one-size-fits-all solutions in the creative ways that our communities tackle addiction, vaccines, mental health, access and affordability.

With support from Jim and Alexis Pugh, we hired a part-time editor/reporter for developing this beat. We’d like to introduce him to our readers and invite story pitches for tackling this topic together.

— 100 Days in Appalachia

Introduce yourself to the 100 Days audience. How does your background inform your perspective on health and health care issues in Appalachia?

I’ve been covering rural health throughout the Southeast for some years now. Appalachian born, in the mountains of Western North Carolina. I began writing about health care on a regular basis in 2008 with a series of articles on the breakdown of the mental health care system in North Carolina. I then began to more fully appreciate the complexity of health care issues and the range of repercussions of the decisions we make societally about health care.

I worked for a couple of years under a grant to cover rural health issues in North Carolina, and that job allowed me to spend a lot of time on two-lane roads – those roads William Least Heat-Moon coined the “blue highways” for the color in which they appeared on old Rand McNally maps. I’ve since been doing the same work as a freelancer, from the Finger Lakes region of New York to the Mexico border. I love driving those roads, realizing that I’m now somewhere I’ve never been before, then arriving at my destination and exploring how the issues this particular community is grappling with are the same and different as others elsewhere.

I’m looking forward to now returning my focus to Appalachia. I divide my time between Nashville, Tennessee, and Carrboro, North Carolina. I make the trek between those two cities every couple of weeks, and whenever I’m headed west and begin the climb up Old Fort Mountain or headed east and hit Pigeon River Gorge, I feel the tug. It’s less than a hundred-mile stretch, but it’s so distinctly Appalachia.

With 100 Days, I’m psyched to reorient along a roughly north-south axis, unfolding this region that ambles from Schoharie County, New York, to Kemper County Mississippi. Granted, much of this work will be done from my desk in Nashville or Carrboro. But I’ll always be looking forward to that next excursion.

Of course, not all of Appalachia is rural. I do enjoy Appalachia’s metropolitan areas, love discovering them anew, and look forward to further delving into their particular health care issues and successes.

Urban or rural, I’m intrigued by the role that place plays in the health care issues communities face and in their outcomes. I’m so looking forward to witnessing Appalachia.

When people see that we’re launching a health vertical, it might seem like we’re late to the game, that any number of outlets already have a strongly established focus on issues in this area. In what ways do you hope to lead the conversation about health in Appalachia?

Appalachia is facing some considerable health care challenges. In addition to the rising costs of care, rural communities are experiencing diminishing access to services, including hospital closures, and difficulties in recruiting health care professionals. Rural and urban communities alike have been particularly hard hit by opioids.

But Appalachia isn’t a monolithic region, and there are nuances to these issues from one sub-region to the next, from community to community. While underscoring shared concerns, I intend to draw out those distinctions. I most especially want to bring attention to the particular ways in which communities are finding solutions

When I write that I’m from Western North Carolina, I capitalize the “W,” as those in the region commonly do – because beyond identifying the region geographically, “Western” is an integral part of a proper noun, denoting cultural distinctions. I could ramble on about what those distinctions are – the libertarian instinct, etc. My point is that place matters. Murphy, North Carolina, in the far southwestern corner of WNC, is 355 miles from Raleigh, the state capital.

There are four other state capitals closer to Murphy. To assume that all North Carolinians share a sense of place, an identity, would be a mistake. I want to explore the contours of geography and culture, and how they shape health, health care, attitudes, practice and policies.  

I intend to report on the challenges individual communities are facing and their responses to those challenges, and on decisions that the federal and state governments make and the outcomes of those decisions – whether to expand Medicaid coverage, for example, and the implications of that decision.  

Are there any specific topics you think media outlets outside of the region do a bad job of covering here or that have perpetuated stereotypes of the people in Appalachia? In what ways do you hope to challenge those views?

I think there’s a perception that Appalachia is waiting for a handout, that people in the region are expecting the federal government to solve all their problems. I hope to help counter that narrative.

The first piece I wrote for 100 Days was titled “New Report Cites Economic Woes, Addiction and Optimism in Appalachia.” It was about the results of a survey conducted by the Robert Wood Johnson Foundation, National Public Radio and the Harvard T.H. Chan School of Public Health titled “Life in Rural America.” Those results underscored the loss of jobs and the scourge of addiction. But the researchers also found that rural Americans are largely optimistic about their future, placing their faith in a shared sense of community. I described how that sense of community is expressed in Moorefield, West Virginia.

I strive to take a solutions-oriented approach to my work. I’ve written about the closures, mergers and acquisitions of hospitals and the ripple effects they have on communities. That’s certainly an issue today in Appalachia. In reporting on these transactions, I’ve described how communities have responded – at times, rebelled.

I intend to tell the stories of ground-level, multi-fronted responses to the health care challenges Appalachian communities are experiencing.

The focus outside, and inside, the region, in terms of covering health in Appalachia, is largely focused on the opioid epidemic. In what ways do you hope to shine a new light or further the conversation around this topic?

I refer to my answer to the previous question: solutions. Whenever possible, I intend to report on solutions.

Recently, I attended a listening session hosted by the Appalachian Regional Commission in the small town of Wilkesboro, North Carolina. The objective was to discuss workforce issues related to the opioid epidemic. Participants brainstormed job-placement strategies and how communities can engage substance-abuse treatment programs, recovery initiatives and other services. They shared information on available resources in the community. People had driven up to three hours to attend – health care professionals, business owners, social workers, elected officials, academics, law-enforcement officers and plain-old concerned citizens. It was an impressive display of solution-oriented community resolve.

I’ve reported on naloxone initiatives, needle-exchange programs, law-enforcement assisted diversion programs and health care professionals assisting mother and child in alleviating the effects of neonatal abstinence syndrome, addressing the stigma attached to medical-assisted treatment. I’ve ridden along with a peer support specialist who helps former inmates in recovery and others who assist those exiting the criminal justice system.

I intend to remain attentive to programs focused on the treatment, care and recovery of those with substance-use disorders and on the prevention of addiction, but with an eye toward how we are solving these problems in our communities.

Appalachia

Ohio Valley Outlook: Expect a Slower Regional Economy in 2020

Published

on

Photo: Becca Schimmel/Ohio Valley ReSource
Photo: Becca Schimmel/Ohio Valley ReSource

This piece was originally published by Ohio Valley ReSource.

The Ohio Valley’s economy could see slower growth in 2020 amid continued anxiety about trade, and possible downturns in both energy and manufacturing, according to analyses and forecasts by regional economists.

Michael Hicks directs the Center for Business and Economic Research at Ball State University in Indiana where he forecasts the health of the manufacturing sector. Hicks expects manufacturing to slow down, and he blames the tariffs levied under President Donald Trump’s administration. Hicks said the costs imposed by the trade war are playing out in markets across the region and he predicts the Ohio Valley’s economic growth to slow dramatically in 2020.

“You will see layoffs certainly, lower hours, less generous bonuses both this year and next year, less demand for power which is going to be important particularly in Kentucky and West Virginia, as manufacturing firms both use less metallurgical coal and less coal for electrical power,” Hicks said.

‘One tweet away’

A report Hicks co-authored shows the impact of manufacturing employment on the overall health of the United States economy has diminished. Production is still a large share of the economy. But, he said, the economies of Kentucky, Ohio and West Virginia are heavily dependent on exports, which is why the trade war has and will continue to have a large impact.

Alexandra Kanik/Ohio Valley ReSource

The Trump administration has made some recent moves to improve trade relations. The United States Mexico Canada Agreement or, USMCA, would replace the North American Free Trade Agreement or, NAFTA. USMCA has passed the House and is still pending in the Senate. But Hicks said that trade deal doesn’t offer much assurance.

“The USMCA passage is essentially for your typical manufacturing firm it improves the confidence that we’re not going to have a trade war with our big partners in Canada and Mexico,” Hicks said. “But to just speak candidly, we’re always one tweet away from a new adversary in the trade war.”

He said if European firms are less interested in buying higher-priced American products it’s enough to cause a significant decline in the demand for goods produced in the U.S. Hicks said that could have a bigger effect in the region than in the country as a whole.

“Which is enough to push Kentucky and West Virginia, Ohio, Indiana, Illinois into a localized recession,” he said. “It’s not enough for a national recession, but it’s enough to give us the feel and taste of what a recession would be like.”

Of the three states, Ohio’s larger economy is also more diverse and follows national trends more closely. Zach Schiller is an economist with Policy Matters Ohio, an economic research institute.

“Ohio is not an island, you know, our economy is closely integrated into the national and international economies,” Schiller said.

Schiller said the largest employers in Ohio are either national or international companies and he expects any change in the state’s economy to be similar to what happens nationally.

Still Recovering

In Kentucky, manufacturing plays a significant role in the state’s economy. Jason Bailey director the left-leaning Kentucky Center for Economic Policy. He said manufacturing has grown in large part because of the auto industry, but carmakers are seeing a slowdown.

“We’ve lost a lot of manufacturing over the last couple decades across the state and industries like apparel or furniture manufacturing or computer parts manufacturing, that has often been to cheaper locations like China and in Latin America,” Bailey said.

Bailey said Kentucky still hasn’t fully recovered from the last recession and it’s facing a tough year ahead with state budget cuts likely.

West Virginia is in a similar position with even fewer signs of economic recovery. West Virginia University’s College of Business and Economics is predicting the economy will expand by about point two percent annually for the next five years. The Executive Director of the left-leaning West Virginia Center on Budget and Policy Ted Boettner said that’s the lowest growth rate WVU has predicted for the state in the past seven years.

“You know since our last economic recession that began in 2007, West Virginia has seen less than a 1 percent increase in job growth over that time,” Boettner said.

Pipeline stacked in Morgantown, West Virginia. Photo by: Larry Dowling/West Virginia Public Broadcasting

Boettner said the state’s economy has always been on a “roller coaster ride” based on energy markets. The downturn in coal has hit hard, of course, but that was somewhat offset recently by a boost from natural gas and pipeline construction work. Now, however, one major pipeline project is complete and some others have been halted by legal challenges. Boettner said that focus on natural resource extraction can hamper other kinds of growth.

“A lot of other industries, especially ones based in the knowledge-based economy don’t really want to be around extractive industries,” Boettner said. “They don’t want to be around a lot of pollution, and things like that. So you really are choosing one over the other in some sense.”

Boettner said the state has never had big urban centers to build a diversified economy around, but he thinks investment in education could help with that.

“I mean, unfortunately, it’s gotten to the point where I think the only way that West Virginia is going to really thrive, potentially thrive, over the coming decades will be unless there’s massive federal investment in the state,” he said.

Deficits Despite Growth 

The U.S. is in the longest period of economic recovery in modern history. Hicks said normally that would mean the country would be running a budget surplus and could start paying off debt or taking on big projects.

“We would have made some long term investments in infrastructure, highways, roads, particularly with transfers to local governments that are, you know, facing a lot of aging infrastructure,” Hicks said.

Instead, Hicks said, the federal budget has a deficit of more than a trillion dollars after tax cuts and what he calls unsustainable federal spending, including the trade bailouts for farmers. And he said those economic policies are not having the degree of stimulus they should, largely because of the negative effects of the trade war.

A report from Ball State notes the Trump administration’s 2018 Tax Cuts and Jobs Act was meant to spur private, non-residential investment. But whatever effect could have been expected was muted by a similarly large tax increase due to tariffs associated with the trade war.

“We are running a budget deficit of $1.1 trillion, which is considerably more than the American Recovery and Reinvestment Act of 2009,” Hicks said. “That was Obama’s large stimulus package passed in February 2009. That was only $856 billion”

As economists across the region watch for signs of the next recession, they also look to infrastructure investment as an area for potential growth. The Ohio Valley has massive funding needs for its roads, broadband internet access, and aging water systems.

Continue Reading

Appalachia

Fact-check: Is Jim Justice the First West Virginia Governor to Fight For Teacher Pay Raises?

Published

on

Teachers celebrate after West Virginia Gov. Jim Justice and Senate Republicans announced they reached a tentative deal to end a statewide teachers' strike by giving them 5 percent raises in Charleston, W.Va., Tuesday, March 6, 2018. Photo: Robert Ray/AP
Teachers celebrate after West Virginia Gov. Jim Justice and Senate Republicans announced they reached a tentative deal to end a statewide teachers' strike by giving them 5 percent raises in Charleston, W.Va., Tuesday, March 6, 2018. Photo: Robert Ray/AP Photo

West Virginia Gov. Jim Justice, facing a competitive Republican primary in 2020, recently introduced an ad touting his accomplishments in office, including a focus on K-12 education.

The ad, released in a Dec. 4 tweet, features several West Virginians reading off a series of scripted accomplishments from Justice’s tenure. One of the accomplishments, voiced by a teacher, is that “Jim Justice is the first West Virginia governor to fight for pay raises for educators.”

This struck us as odd since governors of all parties regularly tout their support for teachers — a group that’s popular with voters and, in many states, a politically powerful constituency.

Teacher salaries have been an especially sensitive issue in West Virginia. Between 2005 and 2017, West Virginia teacher salaries never rose higher than 44th in the nation. That history set the stage for a 2018 teacher strike in West Virginia, which was the state’s first major K-12 walkout in almost three decades. Justice eventually signed a 5 percent pay bump, which is more than the legislature had offered prior to the strike.

So is Justice really the first West Virginia governor ever to push for teacher pay raises? His office did not respond to inquiries for this article, but we found that each of Justice’s five immediate predecessors either proposed or enacted teacher pay raises.

Gov. Earl Ray Tomblin, Democrat, 2011-2017

In his first state of the state address in 2011, Tomblin proposed a one-time, across-the-board $800 increase for teachers. “Frankly, it should be more and we need to strive for a day when our teachers are paid at a rate equivalent to the most important role they play,” he said in the speech, according to the Associated Press.

In 2014, despite offering few increases in his relatively austere budget proposal, Tomblin did include a 2 percent pay raise for teachers. The bill he eventually signed contained a $1,000 raise for teachers for the 2014-2015 school year. 

Gov. Joe Manchin, Democrat, 2005-2010

As governor, Manchin — now a U.S. Senator — periodically sparred with teachers’ unions over the size of his salary increase proposals. But both Manchin’s Senate office and West Virginia teachers’ unions agree that he proposed a teacher salary increase and signed it into law.

During his tenure, Manchin raised teacher salaries by 3.5 percent, according to a joint statement released by the West Virginia Education Association, the American Federation of Teachers-West Virginia, and the West Virginia School Service Personnel Association when the groups endorsed Manchin’s Senate reelection bid in 2018. Manchin’s Senate office cited the same 3.5 percent increase when we inquired.

The legislation Manchin signed also improved teachers’ annual salary increments and allowed educators to move from a 401(k)-style defined contribution plans to a defined-benefit system.

Gov. Bob Wise, Democrat, 2001-2005

In his 2001 state of the state address, Wise proposed raising teacher salaries by $1,000, plus $2,500 in incentives. “Teachers are the heart of the educational system. We must honor the work of our teachers,” he said.

After leaving the governor’s office, Wise became CEO of the Alliance for Excellent Education, an education advocacy group.

Gov. Cecil Underwood, Republican, 1997-2001

In his 1998 state of the state address, Underwood proposed giving teachers a $750 pay raise. He signed a three-year pay raise into law later that year.

Gov. Gaston Caperton, Democrat, 1989-1997

Caperton was governor during a divisive, 11-day West Virginia teacher strike in 1990, but he ended up presiding over a significant pay increase for the state’s teachers. The strike was settled when all parties agreed on a $5,000 pay increase phased in over three years.

Last year, PolitiFact reported that most significant recent improvement in West Virginia teacher pay compared to other states came between 1990 and 2000, a period during which Caperton and Underwood were in office.

Like Wise, Caperton headed an education group — the College Board — after serving as governor.

Our ruling 

Justice’s ad said he’s “the first West Virginia governor to fight for pay raises for educators.”

That’s far off-base. Seeking pay raises for teachers is practically a rite of passage for governors, and West Virginia is no exception. Not one, not two, but each of Justice’s five most recent predecessors — Tomblin, Manchin, Wise, Underwood and Caperton — either proposed a teacher pay raise, signed one into law or both. We rate the statement Pants on Fire!

This article was originally published by PolitiFact.

Continue Reading

Appalachia

Documentary ‘hillbilly’ Is Now Challenging Stereotypes for a National Audience on Hulu

Published

on

In April 1964, President Lyndon Johnson visited Martin County, Kentucky to rally support for his War on Poverty. The Poverty Tours culminated in August of 1964 with the signing of the Anti-Poverty Bill. Photo courtesy of National Archives/LBJ Presidential Library

It was somewhat of a homecoming when Los Angeles filmmakers Ashley York and Sally Rubin came to Appalachia to film the documentary hillbilly.

York was born in Kentucky, studied journalism at the University of Kentucky, and was always looking for the right opportunity to document modern Appalachian culture. Rubin was born in Massachusetts but her mother was from Tennessee, and much of her documentary work has focused on Appalachia.  

In 2010, York saw Rubin’s film Deep Down about mountaintop removal and reached out, looking, perhaps, for an opportunity to collaborate. 

“She thought I’d depicted Appalachian people as honorable and dignified,” Rubin said.    

Filmmakers Ashely York, left, and Sally Rubin, right. Photo: Provided

“We were kindred spirits with the topic of demonization and discrimination that has been so pervasively depicted about Appalachia,” York added.

In 2013, they began work on hillbilly. It started as an exploration of the term and the portrayal of the stereotype in all types of media.   

“The film seeks to elevate the stories and perspectives of a wide range of people living and working in Appalachia,” York told 100 Days one week before hillbilly’s debut at the Nashville Film Festival in the spring of 2018. 

“I’ve thought about media representation for a long time, and I would say this has not been an easy story to tell at all. We are definitely trying to use the film to abolish stereotypes about the region and to show alternative voices,” Rubin said. “At the same time, we are committed to complex, multi-dimensional portraits of this region. Those aren’t one-sided, and they’re not easy to paint.”

The picture they delivered is a vivid and nuanced portrait of a region. Where Coal Miner’s Daughter and Harlan County USA focused on the industry of the place, the story of hillbilly is told by the people who have spent their lives in the region, as well as the artists, poets, activists, musicians, who express what it is to be Appalachian.      

The widespread fanfare and critical acclaim that has followed has been astounding.In October, after a long tour on the film festival circuit, Hulu acquired hillbilly, bringing it to a mainstream, national audience.

Hart Fowler spoke with York and Rubin after the Hulu acquisition, about the two years since the release.   


HF: When you started this project, it was really supposed to be focused on the historical and contemporary portrayal of rural people and the term “hillbilly” in the media, but the 2016 presidential election became a significant part of the documentary. I imagine you weren’t prepared for the timing or the scale of that election when you began the project.

SR: We’d already been filming for three years when Trump and the election happened. That was never on our radar in the production of the film, and then we had to play catch to figure out how this story was going to play nationally and how [the election] would play into our movie. 

AY: We were looking for things to unify our cast and Trump was starting to become a thing. My grandma went to a rally and I was like, ‘what?’ I was very surprised by that. That was about the time we started to think there was something meaningful here. Both of us as lifelong democrats.

HF: That was a somewhat touching scene where you, Ashley, mention living your Granny’s dream of leaving Kentucky. Two years after the documentary and three years into the Trump Administration, have you noticed any changes in your family’s political views, or of their opinions on the current administration?

AY: My granny has a lot of great stories I’ve been recording, mostly in audio but also in interviews on camera too. It was kind of a natural progression for us to end up there, that November. I see them a lot, every time I fly in or out, I go through [Pike County] because it is close to the Cincinnati airport. So, I have a long relationship with them, sitting around the kitchen table, sharing stories. That’s just the way we operate and have for a very long time, so I think that’s why it feels so natural and organic– ‘cause it is.

There’s only a few people who we spoke with intimately in the movie who voted for Trump. Most everybody else is progressive and voted for Hillary, but we just don’t talk politics with them. My granny and her Uncle Bobby [the two Trump supporters in the film], from what I understand, are still enthusiastic for Donald Trump. 

We will see how things evolve as we get closer to the convention next summer. Let’s say somebody like Joe Biden became the [Democratic] nominee. I wonder if he would be interesting to them. He certainly wouldn’t have at any other point in their lives, and Donald Trump is not a shining star by any means.

Their point of view these days is very similar to what it was during the election. I would say ask them because we usually don’t talk politics. 

HF: Hulu acquired hillbilly this fall, but won’t release the total number of views or streams on their platform so far. But it is a big distribution deal and now much larger audiences are able to see the film. Can you talk about some of the feedback you have received since the Hulu deal?

SR: In January 2019, [hillbilly] went live on Amazon and Youtube for purchase, but this Hulu release was the first on [a subscription-based] streaming platform. The biggest response to me from the people that view it has come from writing in to our page. Even internationally, where it comes up on their Hulu, they talk about how it changed their lives and changed their views. That is really gratifying.  

AY: I’ve definitely been getting a lot of responses, a lot of emails, most saying, ‘I stumbled upon this movie and wasn’t looking for it. It kind of found me.’ People overwhelmingly have been moved by it and relate to it in a way, many with shared experiences with people in the film talking about being marginalized or discriminated against, people really relate to that.

HF: One of those marginalized people you show in the film is Billy Redden, who famously played the small boy in Deliverance that plays Dueling Banjos. He shares in the film that he felt taken advantage of by the film and his portrayal in it, and has struggled financially since. How did he react to your film?

SR: I would say 100 percent of the cast and crew loved the movie and were behind it. [Billy] loved the movie and felt that it did his story justice. He came on the road with us to a couple of festivals. 

AY: We did a crowdfunding campaign to bring him to Los Angeles when we brought the movie to the Los Angeles Film Festival. In hillbilly, Billy told us, “I was hoping I’d get to Los Angeles someday.” But that didn’t happen after Deliverance.  

We had sold-out performances at the festival, including at the Arc Light which is one of the most premier cinemas in the world. It was a great experience, with the red carpet and all that.  

SR: It was our second premiere in the heart of Hollywood and at the Warner Brothers studio that had made Deliverance. It was incredible, [Billy] got a standing ovation. He was paid $500 for Deliverance. We had a very generous donor at the film release that called in to donate $7,000 to him for his instability we showed in [our] story. 

HF: In addition to discussions of Deliverance in your film, director Michael Apted’s film Coal Miner’s Daughter is referenced and he is also a source, sitting to speak to you all about Appalachian culture portrayed in film. He also spoke at some of your screenings.  What was it like meeting and working with Apted, such a highly regarded and prolific filmmaker, in this project and the screenings of the film after?

SR: He came to our first screening in Nashville and everyone hooted and hollered [for him]. Our run here in L.A. was similar, where he had a long introduction and discussion with the audience. He was very supportive of the film, which was very gratifying after our five years of [work].

AY: It was great to spend time with Michael. We talked a lot together about Coal Miner’s Daughter, another film that was always on when I was growing up. I love that movie and it is such quality cinema. My dad and mom love that movie, my sister loves that movie; it was meaningful to talk with him and hear about his experience showing the film [all over the country]. 

HF: Sally mentioned you premiered the film in Nashville, a city that’s quickly changing and growing now, but is still the heart of Country Music, or historically hillbilly music. What was it like having this film show for the first time in that city?

AY: That was in 2018. The first screening sold out so we added a second screening. They had a red-carpet and we were the largest red-carpet of the [Nashville Film Festival] and a lot of the cast was there. It was really tremendous. Dolly Parton saw the movie and said it was wonderful, so it was great to have her blessing and kind words going into the festival. 

SR: The premiere was really something. That’s when we first spoke with The Orchard (an entertainment distribution company) and they made an offer and we negotiated for months eventually leading to Hulu buying the film. 

HF: Did you expect that coming in? I imagine the debut was a tense moment.

AY: Yes, [but] the movie was made with such loving care, I wasn’t worried that we were going to offend people or have a negative response. There were certainly people who don’t like the movie and have called it liberal garbage and who aren’t sensitive to our point of view and that’s fine. 

Most people appreciate the movie and learned something from it. I think people are very compassionate about story-telling and I felt good about that. 

HF: What’s next for the two of you?  Do you have any future plans to work together or are you moving on to personal projects now? 

AY: I’ve a long long list of ideas of projects I’d love to get made. Working on some developments with HBO and an Apple series this year, and some documentary developments that I’m doing, exploring all kinds.  

I would like to spend a lot of time making projects in Appalachia and Kentucky, absolutely.  AndI’m heading to New York tomorrow to go to work on a project on Broadway that I can’t talk about quite yet.  

SR: I’m working on a short, personal, animated documentary called Mama Has a Mustache  about being gender nonconforming and pregnant.

I am interested in working on a project in the future about queer Appalachia. I’d love to continue to work with folks from hillbilly and Deep Down, such as Silas House, Jason Howard and others with whom I’ve had a deep personal and creative connection over the years. It’d be amazing to align my two favorite communities in one film; the LGBT community and Appalachia. 

Hart Fowler is a freelance journalist and former publisher of 16 Blocks Magazine who has written for The Roanoke Times, C-Ville Weekly, Raleigh Magazine, Smokey Mountain Living, Electronic Gaming Monthly and Blue Ridge Outdoors.

Continue Reading

Trending